Xenia M.: And the vocals? Is it possible to just be able to sing, or have you studied somewhere additionally?
Ksenia: Vocals are completely different. For me, it's also a performance and public speaking skill. Yes, I studied, at the moment I have a third mentor coming.
Xenia M.: Dmitry, where did you get your synth skills from? And, I take it, you're also doing mixing?
Dmitry: Our mutual friend Mikhail is doing the mixing, he has his own project -
Minimal Unit. By the way, very cool music - I recommend it. Before that, a few years ago, I was mixing, but I didn't like the sound. I am very glad that now it is being done by a person who is good at it and who likes it. I deal directly with instrumentals, I don't have any education. I don't really know the notes, mostly everything happens by ear.
Xenia M.: Who came up with the name SYNTHESE
?
Ksenia: It seems to me that we have been choosing a name for a long time.
Dmitry: Yes, we have been choosing it for several months. We got into the German dictionary, looking for interesting and beautiful words that could reflect our essence.
Ksenia: Yes, SYNTHESE is a good name and it takes into itself, as it seems to me, a perspective and an opportunity for further growth.
Xenia M.: You came together as a creative union. How close or far are you outside of recording songs? Do you feel stable with each other as a team?
Dmitry: I think that first of all, musicians, well, not only musicians, but perhaps some kind of creative group, maybe actors of theater or cinema - they must be soulmates in one way or another, have some common views on the world and understanding. Only then will we be able to create something together. In parallel with music, of course, we communicate, although we have many other things to do.
Ksenia: In principle, my position and sensitivity towards the world play an important role. I would like to say that I completely agree with Dmitry. Just yesterday I was listening to a podcast where one, I can't say exactly who, a cool, in short, woman, sings British folk. And she lives in a gypsy family. They constantly play folk music with the whole family. Well, she talked about how it feels. Indeed, when you play music with relatives, with people with whom you live and love, sometimes there are such moments of subconscious understanding and as if reading thoughts. That's why it's very cool. I try to open up completely to people, and even more so to Dmitry, with whom I write music. Because music is as intimate a process as possible and in terms of attitude to the world. Damn, yes, this is probably the most important thing for me in general, on such a cosmic scale. I haven't done anything more useful in this life yet.